There are several ways to teach a subject but the different approaches can be summarized as “tell them how” versus “show them how.” In Doctrine that Dances: Bringing Doctrinal Preaching and Teaching to Life, Robert Smith relies heavily on the latter to instruct pastors in the importance of doctrinal preaching. His style of writing uses a lot of metaphors and pithy quotes to compare preaching to dancing and escorting. This brings an original approach to a book on preaching that when it succeeds, it hits a home run but when it doesn’t succeed it strikes out, leaving the reader unsure of what the metaphor really was meant to convey.
Robert Smith Jr. serves as Charles T. Carter Baptist Chair of Divinity Beeson Divinity School where he teaches Christian Preaching. He formerly taught Christian preaching at The Theological Southern Baptist Seminary as well. He is obviously well versed in preaching and one gathers right away that the style of the book will be similar to a sermon. The reader can almost hear the writer preaching the material of the book in the way that he uses metaphors and pithy quotes and proverbs. Smith says that the book is about doctrinal preaching and handling the word of God in such a way as to bring joyous praise and glory to God. He works to drive home the importance of doctrinal preaching while at the same time providing various definitions of preaching from people through history before finally settling on his own definition. He summarizes his definition as “transformation through Christ.” Doctrinal preaching “is the escorting of the hearers into the presence of God for the purpose of transformation.”
Smith employs two larger metaphors to define doctrinal preaching and to build the rest of the book upon, an exegetical escort and a doxological dancer. He hangs the major themes of the books on these two metaphors. First, the role of the exegetical escort is to embrace the text of Scripture in order to be able to escort the hearer into God’s presence for transformation. One of the major themes of Smith’s book is that the text must be first interpreted correctly by the preacher and then internalized by the preacher. The preacher must sit under his own preaching. After having done this, then the preacher can exegete his audience and bring the text to bear upon them so that they will be confronted with the truths of scripture.
Smith says that the exegetical escort must rightly divide the word of God. He says that the sermon must come from the text and not imposed upon it. He says that doctrinal preaching will keep three focuses in mind, apologetics, polemics, and catechism. The exegetical escort will work to establish what the correct teaching and doctrine by arguing from the scripture while fending off false teachings and nourishing the sheep.
The second big theme of Smith’s book is that preaching must be balanced between the intellect and the emotional, the mind and the heart. He drives this point home with the doxological dancer metaphor. He shifts from content to style of delivery and back with this theme. The doxological dancer “is to communicate the doctrinal message of the Bible with accuracy and ardor so that the exuberant hearer exults in the exalting of God.” The doxological dancer internalizes the message for himself. He exegetes his audience. He then he can now deliver the message in such a way that his audience is moved by the content and delivery of the sermon.
He uses analogies of songs and also speaks of the history of African Americans to help drive home the importance of making the sermon dance. He says that you “Begin low; Proceed slow; Rise higher; Take fire; When most impressed Be self-possessed; To Spirit wed form, and Sit down in a storm.” He reminds the preacher that the gospel of Jesus Christ should not be boring. The preacher is escorting the people into the presence of the Lord and this should cause us to rejoice. It should change us. The audience is concerned with the “what”, the “so what” and the “now what” so the preacher must be able to answer these questions in a way that causes the listener to exalt God.
Another big theme for Smith is preaching with the power of the Holy Spirit. Here he uses a metaphor of jazz improvisation. He argues that a preacher must have internalized the sermon so well that he is not glued to the manuscript but is free to go as the Spirit leads. He does not diminish the importance of preparation because he has already spent ample time speaking about sermon prep. However, he is very adamant that the preacher must trust God through his preparation and especially in the delivery of the sermon. Finally, Smith ends with reminding the reader that preaching God’s word faithfully will have an effect upon the preacher and his listeners. The preacher should preach so that his listeners will be motivated to take that message to their neighbors, communities, families, and friends.
Smith is obviously an accomplished preacher and is masterful at telling stories. He uses that to good effect in this book. As said in the introduction, he seems to lean on showing how rather than telling how. That is, he relies heavily on applications of his points from metaphors, pithy quotes and parables. For some readers, this style may take a little getting used to. He doesn’t give clear and delineated points as in other instructional books but instead seems to flow from thought to thought seamlessly. This approach provides a good example of how a sermon can flow however it left me wishing for him have been a little clearer. His two big metaphors are the linchpin of the entire book. So we will begin with looking critically at them.
The exegetical escort fits his style of showing and not just telling. An escort comes along side someone and ushers them to where they need to be. Smith drives home the point that the preacher must sit under his own preaching first. This is especially helpful for a young preacher. The preacher cannot lead his people where he has not first been. This means that the preacher must spend time in the study preparing for the sermon. But he must also spend time in prayer embracing the sermon as well. He says that “If the preacher exults in the Lord in the prayer room and study, the channels will be open for the preacher to motivate the hearers to mutually participate in the exaltation of God in the pulpit.” He says that the three lines of public ministry, preaching, teaching, and administration must be undergirded and propped up by the three lines of private ministry, prayer, reading Scripture, and spiritual direction.
In the second metaphor, Smith describes preaching as doxologically dancing. This metaphor is not as strong as the prior. This is partially because Smith wants to keep some things undefined. He says that the mystery of doctrinal preaching makes it hard to define. Because of that he speaks in a lot of metaphors and parables. While this at times can be his biggest strength it also can be the biggest weakness. There was an entire chapter on jazz improvisation that made things muddier. I was never quite able to grasp exactly what point the metaphor was supposed to be making. He spoke of call and response during the sermon but outside of African American churches, there may not be must experience of this kind of back and forth during the sermon.
The doxological dancer is one who presents the sermon in a way that matches the content. This is helpful in acknowledging that we must engage our audience with emotions and examples that match the content of the text. Our delivery cannot be boring. Smith is very critical of those would preach in an unattached way. He also seems to suggest that for the Spirit to move there must be spontaneity. He in particular was not fond of liturgical worship styles because he says they keep God at arm-length. Those of us who hold to a more liturgical worship style believe that God has commanded certain things and certain ways that worship must be done. I think we must be careful to not over associate the movement of the Holy Spirit with spontaneity lest we become impulsive and disorderly.
While disagreeing with Smith on liturgical worship, he makes an important point about trusting in Christ while delivering the sermon. We must not be so full of pride that we think we must have complete control of every single second. Sometimes God uses our pauses or forgotten thoughts to drive home a previous point to the audience. God may bring to mind something that had not been thought of during the preparation but would be appropriate during the delivery. We cannot be so beholden to a manuscript that we become glorified readers. The challenge is to trust God in the delivery.
Equally important is the fact that we cannot assume that our hearers know the biblical stories. Smith says that in a previous generation, you might have been able to assume that the listener could fill in some of the details or backgrounds in more familiar passages. But he says that it is important that preachers not assume and instead to go ahead and provide that context. Secondly, we cannot assume that our listeners understand theological terms such as justification and sanctification. We must work to drive home these terms by illustrating them in terms that our listeners understand. He points to the example of Christ using parables. We also see this in what he calls the “biographical snapshots.” That is the bible uses narrative to place us in the story alongside the characters where we learn the doctrine that God is teaching us through them.
One danger that Smith points out is that preaching cannot be devoid of grace. He said that Paul always taught theology of grace before the theology of works. The gospel gives us the power for the works. I think we must be equally careful not to miss the role of God’s law to act as a mirror driving us to Christ. The commands of God are meant to be obeyed and our disobedience has created the need for Christ’s sacrifice. The law drives us to Christ and Christ empowers us to obey the law. There are ditches on either side. To focus on duty without position is to miss the Gospel and leave people dead in their sins. To focus on position without duty neglects one of the purposes of the Gospel, our sancrification.
Smith strongly points out that preaching is to be both to the mind and the heart. God’s word is not something to be merely assented to but it must be loved and obeyed. The preacher cannot be happy to only appeal to the intellect but must engage the emotions as well. I do wish that Smith would have shown better how to engage the heart as well as the mind. I also wonder if this might be a false dichotomy. Does not the mind engage the heart? Are they really separable? Obviously Smith means that the preacher must engage the emotions through the use of illustrations and other tools that make the passage hit home. He says that the use of hymns and stories help drive the doctrine to the heart in a way that other language cannot.
Dr. Smith’s unique style showcases what he is trying to drive home. He uses stories, music, illustrations, and quotes very well. This is at times where the book shines. Not coming from a similar background as him, it was interesting to see how he drew from his heritage to drive home the points. It is good to engage with cultures and traditions that one is not normally familiar with. Smith’s stories from slaves and their adoption of music to showcase their struggles were very interesting. Smith’s background here adds to preaching books a viewpoint that is not often found in them. I found some of the sources of his quotes a little questionable, however. Not of all of them were from orthodox preachers or theologians. But never the less I appreciated this viewpoint.
Robert Smith gives a good reminder to preachers that their task must be to honor the text of God’s word and to connect it with his hearers. The preacher must let the scripture define the doctrine and then present it in such a way that it moves the listener. Doctrine ultimately must drive our living. Smith gives many examples of this throughout and even ends the book with two sample sermons putting into practice what he outlined in the rest of the book. The preacher must be an exegetical escort ushering his people into the presence of God. The preacher must worship God in preaching. The preacher in this case is a doxological dancer embracing the doctrine in praise. If the preacher can accomplish this he will ensure that the audience will turn around and preach the sermon in their homes, at their jobs, and in the barbershops.